Displaying items by tag: Issues

Forget required reading; think viral reading

Monday, 07 January 2013 08:56
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Not long ago I heard from a Houston high school teacher that my novels The Knife and the Butterfly and What Can’t Wait had gone “viral” among students. It wasn’t that a teacher was requiring kids to read the books; it was that students were sharing the books, telling their friends about them, and reading them under the table when they were supposed to be doing their science homework.

This is the situation anybody who cares about kids and their reading lives should want.

It’s especially important for reluctant readers who can count their successful encounters with books on one hand. And it’s most important for reluctant readers in lower-income brackets minority groups, where becoming an avid reader (the earlier the better) may be what helps close the gap between their academic performance and that of their “majority” middle-class peers.

We can’t transform readers’ lives by micromanaging their choices, whether by insisting that they focus on “great works,” or by shoe-horning in saccharin PC reads. Encouraging personal connections to books is the way to make books go viral.

In my experience, when you set aside big hits like Harry Potter, Twilight, and The Hunger Games, the books that get passed around and talked about by teens are those that speak to their own experiences in some important way. And that’s not just about race or ethnicity, either.

While the biggest issue that may be hindering the success of young Latino readers is the relative lack of high-quality literature that features Latino protagonists at all, a related (and less discussed) issue is the lack of representation of diversity of experience within the Latino community. A recent New York Times article made precisely this point in terms of young Latino readers:

Kimberly Blake, a third-grade bilingual teacher, said she struggles to find books about Latino children that are “about normal, everyday people.” The few that are available tend to focus on stereotypes of migrant workers or on special holidays. “Our students look the way they look every single day of the year,” Ms. Blake said, “not just on Cinco de Mayo or Puerto Rican Day.”

On a recent morning, Ms. Blake read from “Amelia’s Road” by Linda Jacobs Altman, about a daughter of migrant workers. Of all the children sitting cross-legged on the rug, only Mario said that his mother had worked on farms.

This passage from the NYT article resonated with my own experience as a bilingual literacy tutor in East Austin some ten years ago and as an English teacher in Houston. I also reviewed Spanish-language books for Reading Is Fundamental, and almost without exception they were translations of popular children’s books in English with white characters. Why is this an issue? For one, it exercises a subtle pressure on students to value the commercialized image of mainstream U.S. culture over their own family lives and culture. Even for students from other backgrounds, seeing more Latino character has considerable value, as this balanced and thoughtful response highlights.

Many of the comments on the NYT article (also see this post and comments, including my own) were depressing in their willful misunderstanding of the issue. The point is not that children can only relate to books with characters from their own background or experience. Clearly, that’s not the case or much of literature—including most of what was written by dead white guys—wouldn’t appeal to any of us. The point is that there is something inherently unjust and damaging about never or rarely seeing anyone like you (whether in terms of socio-economic status, gender orientation, race, or ethnicity) in books.

As one commentor, BorincanoDC, wrote:

Even 45 years ago it would have been a good idea for me and kids like me to pick up a book in the classroom and see intelligent, decisive, challenging characters like the kids in my family and neighborhood. And it would have been a pretty good idea for the OTHER kids to be presented with a world a little different from their own where characters named Juan and Maria lived valid and coherent lives.

Speaking of names... May I please weigh in that, while a name change may be better than no representation, I found myself biting my hands to keep from screaming when I read one high-school English teacher’s strategy for getting his Hispanic “bibliophobes” to read: “I have quite a few stories in Word format that I print, including some I’ve written. I’ve taken the liberty of changing characters’ names to Hispanic just to see what would happen. I’ll try almost anything.”

I hope he’ll try something else—anything else. If his students are anything like mine, they can smell condescension a mile away.

He could start by handing his reluctant readers The Knife and the Butterfly, which I wrote specifically with my Latino guys in mind. Other great picks are Jack Gantos' Hole in My Life and anything by Matt de la Peña. For guy-friendly short stories by Latino authors, he could check out Junot Diaz's Drown and Oscar Casares' Brownsville.

One last point: if any group needs support in overcoming educational disenfranchisement, it's the Latino population in the US, especially those who have parents and grandparents who moved through the public education system. Whereas African Americans prior to the civil rights era moved through segregated schools in which, however inadequate the resources, they were taught by other African Americans who did believe in their potential, most Hispanic students prior to the fifties and sixties were forced out of schools (the methods used to accomplish this were myriad) or taught in overcrowded classrooms by white teachers with little investment in educating their pupils. In 1930s Houston, for example, there was virtually no access to high school for the majority of Hispanic students. (More on segregation here, and more on race in writing here.)

Discrimination and exclusion of that magnitude is bound to have an effect, and we all can have a part in bringing trust and investment in education back to this community. I write books that I hope will be worth reading and passing around. Teachers, librarians, readers: help us make the good books go viral.

More than guns: a lesson from Sandy Hook shooting

Monday, 17 December 2012 09:44
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"That could be our town," I heard people saying on Friday as the tragic events at Sandy Hook Elementary began to come to light. "That looks so much like my son's school," one mother said in the doctor's waiting room where we sat watching the news. In the faces of the victims, we see our own children, our own teachers, our own friends, colleagues, and family members.

I am still shuttling between disbelief, sadness, anger, and fear.

Fear most of all.

But yesterday, one mother's words made me realize that my fear--that something like this might happen in my community--was nothing compared to the greater terror of fearing that her child might commit a similar act: 

I live with a son who is mentally ill. I love my son. But he terrifies me. A few weeks ago, Michael pulled a knife and threatened to kill me and then himself after I asked him to return his overdue library books. His 7 and 9 year old siblings knew the safety plan -- they ran to the car and locked the doors before I even asked them to. I managed to get the knife from Michael, then methodically collected all the sharp objects in the house into a single Tupperware container that now travels with me. Through it all, he continued to scream insults at me and threaten to kill or hurt me. [...]

When I asked my son’s social worker about my options, he said that the only thing I could do was to get Michael charged with a crime. “If he’s back in the system, they’ll create a paper trail,” he said. “That’s the only way you’re ever going to get anything done. No one will pay attention to you unless you’ve got charges.” [...]

No one wants to send a 13-year old genius who loves Harry Potter and his snuggle animal collection to jail. But our society, with its stigma on mental illness and its broken healthcare system, does not provide us with other options. Then another tortured soul shoots up a fast food restaurant. A mall. A kindergarten classroom. And we wring our hands and say, “Something must be done.”

I agree that something must be done. It’s time for a meaningful, nation-wide conversation about mental health. 

While there has been some debate regarding the "facts" behind the "I am Adam Lanza's Mother" post that has gone viral, I think the basic issue--many young people with mental health problems are not recieving adequate care and treatment--is one we all ought to be attending to with as much care and attention as the question of better gun control in this country. 

There. After a whole morning of typing and deleting sentences, I said something about the shooting.

A Journey toward (real) food

Monday, 30 July 2012 09:09
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The husband and I just finished reading Michael Pollan's In Defense of Food: An Eater's Manifesto, and it has sparked lots of good conversation about our priorities for the food we put onto our--and our son's--plate. That's a conversation that started before we left for Paris and evolved as we witnessed how a different culture can have a very dramatically different relationship to foods, which is something that Pollan talks about quite a bit.

(You can click through my "What the French Know about Food" posts here, here, and here.)

In Defense of Food isn't doctine-y at all, although in a few places Pollan waxes a bit too poetical for my taste about his garden and being part of an ecosystem (for me, my garden = cheap, clean veggies, pure and simple). And it taught me things about how food policy gets made in the U.S. that I'm really glad to know as a consumer and a parent. At the end of the day, now I know that we need to trust our own sense of what's right with food over anything the FDA or the American Heart Association says. 

Pollan brings home the need for common sense over "expert" recommendations through his strangely moving chronicle of the rise of the low-fat movement in official dietary recommendations. Or maybe it was just moving for me because it made me think back to my childhood. My parents--striving to "do right" and follow the best recommendations--always bought low-fat everything. At the time, I don't think it ever occurred to any of us that (a) we were eating a lot more artificial or modified foods because of this or that (b) we were eating a lot more sugar and carbohydrates in products from which fat had been subtracted. 

And that brings us to the main point of Pollan's book, which probably should have been the first thing I mentioned: what is meant by the title. When Pollan writes about defending "food," what he means is the notion that the food we buy and eat should be comprised of a combination of recognizable ingredients, not engineered "food products" (Read: convenience foods, chain restaurant menu items, and anything that has ingredients you can't pronounce).

Another great food book, The End of Overeating, illustrates in detail how these food products are different from actual food. The main difference is that, rather than being designed to satisfy, food products are designed to lead to more cravings. Whereas The End of Overeating focuses more on the engineering of specific foods, In Defense of Food looks a bit more at industry trends like marketing different foods to different members of the family and encouraging the notion that even at home, everyone should cook (read: microwave pre-package food substance) their own thing.

In our home, as we try to teach Liam to be a diverse eater while still giving him opportunities to enjoy the occasional treat, I am realizing that parenting a healthy eater really means learning to be a healthier eater myself. 

Writing Hungry

Monday, 23 July 2012 10:03
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I'm in the middle of living something new: writing hungry.

I've always seen the idea of the starving artist as an unnecessary cliché, but I'm as close as I will likely ever be to living it. (I certainly hope this isn't our new normal!) We are paying half of our income to cover childcare this summer so that I can have time to finish my draft of novel #3.

Okay, so I'm not exactly hungry. We live in America, after all. But I am painfully aware of the economic price of my creative efforts right now, of the sacrifices my family is making for this work to be possible. All this, without any certainty about when novel #3 will sell--or how much we might expect for it. 

I'm not far enough into the experience to know how things will turn out. On a Writing Excuses podcast, one of the hosts said, "I find feeding my family to be a powerful motivator," when asked about how it feels to be a "career" writer as opposed to having a day job.

On the other hand, though, here's what one of my favorite misbehaving characters, the nephew from Diderot's Le Neveu de Rameau, says about poverty and art: 

Oh, Mister Philosopher, poverty is a terrible thing. I see her crouching there, with her mouth gaping open to receive a few drops of icy cold water dripping from the barrel of the Danaids. I don’t know if she sharpens the mind of the philosopher, but she has a devilish way of cooling off the head of a poet. People don’t sing well under this barrel.

Will writing hungry be a powerful motivator or a chilling force? I'll keep you posted.

Good company for thinking about race in novels

Monday, 16 July 2012 10:00
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Who else is thinking about race in fiction AND has battled evil garden invaders?

The answer is.... Justine Larbalestier* (psst, that asterisk means "see memorial footnote below")! On her blog this week, she has a great post about handling race (and racism) in her current project. Also if you dig around her site, you'll find this post where she mentions her warfare against basil-eating slugs. Why the heck am I talking about her battle against slugs? It's about solidarity... In light of my current offensive against a whitefly infestation, I need a sister in arms.

That solidarity carries over to writing, too, since we're both dealing with how to write about race and racism in the 1930s, although J.L.'s work is set in early 1930s in NYC and my novel #3 is set in East Texas at the end of the 30s. In her post, J.L. points out that "a distinction has to be made between depicting the racism of a particular time and being complicit with that racism." I'm not so worried about that problem as I am about another one that J.L. mentions: the danger of turning all white people into villains. She writes,

Some of my characters are white. Most have the racial attitudes of their time. If I depict them accurately they can only be read as villains by contemporary readers. But if I depict them as thinking and acting like a twenty-first century liberal white USian then I create a very unrealistic depiction of the time and place. Which makes me wonder why bother writing an historical?

I get to sidestep this a little since the color spectrum I'm working with is fuller; my protag is Mexican-American, her twin (half-) siblings are mixed, and her love interest is black. Because the East Texas town of the time didn't have three-fold segregation like regions with heavier Hispanic populations (a bit more about that here), Naomi and her sibs manage to slip into the white school, giving me a lot of situations where I need to deal with particular patterns of racism.

J.L. also points out that even those sympathetic to the situation of black individuals could be hideously patronizing in the 1930s, and I agree. I have some of those folks in my book. But I also think that there are wise souls in every time who think a bit outside of the paradigms of their world. This needn't be a protag or even a main character (indeed, let's avoid having a white character "rescue" people of color), but the presence of such an individual can help readers recognize that the author isn't trying to vilify white folks.

Like J.L., I have been struggling with the question of what to do about the N-word in my novel. I'm mildly obsessed with a feeling of authenticity in dialogue. Dialogue shouldn't be a facsimile of reality (boring!), but it should gesture convincingly toward it.

This is why The Knife and the Butterfly contains a number of words--and sentiments, especially about women--that aren't at all an expression of who I am. They're part of who the protag (a teen male) is at that moment, and I need them so that I can show how his experience deconstructs that bravado (at least partially).

So where does that leave me with the N-word in novel #3? I would never dream of inserting it with anything close to the frequency with which I am sure it was uttered in 1937 East Texas, but to omit it completely seems wrong, too, although as one commenter pointed out, we can generally count on readers to fill in at least some of the trappings of racism on their own.

Right now I am using the N-word in the mouths of a few characters in their most extreme states. (I did the same thing with the F-word in The Knife and the Butterfly and managed, by the end of writing, to cut down the frequency pretty dramatically.) I will have to decide later if the N-word needs to come out altogether. I'm not sure, though, that in a book that deals with lynching (as mine does at one point) that it's right to excise it. After all, this was a time when some white people still attended lynchings as if they were picnics, keeping photos as souvenirs or to send as postcards.

For now, I'll just keep writing. And following the discussion on J.L.'s post here.

*It's possible (ahem, probable) that I have a professional crush on Justine Larbalestier. Not that I want to be·her--or to have her particular challenges when it comes to getting publishers to behave properly (I mean that whole white-washing thing with Liar). But I do admire her bold stance on various issues and her adventurousness·as a writer (check out this challenge list of genres and subgenres she wants to hit at least once). I also love her use of footnotes on her blog. This footnote is a tribute to all that awesomeness. And like the mention of slugs, this footnote has nothing to do with what today's post is about.

Presidential Announcements and the TIME cover: Is the DREAM Act on its way back?

Thursday, 21 June 2012 09:25
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I haven't read it yet, but I plan to get my hands on a copy of the June 25 Time magazine because the cover story is close to my heart: the plight of young illegal immigrants who contribute in countless ways to American experience.

The most powerful feature of this article? The first word in its title: "We Are Americans." Everything could change for young immigrants if others--especially those with legal status--embrace the fact that immigrants are part of the "we" that makes us a nation. 

The Time feature comes right on the heels of President Obama's recent decision to provide a bit of security for young people without legal status. While it's a long way from the DREAM Act that would give the children of illegal immigrants the opportunity to access higher education and a path to legal status, Obama's announcement is important both as a step in the right direction and in the way it has energized the immigration debate. Perhaps we'll see the DREAM Act come back--and pass. 

As I wrote back in 2010 when DREAM passed the House (only to fail in the Senate), the DREAM Act is about providing opportunities for children raised in the US—many of whom have no memories of their parents' home country. Without the DREAM Act, there is little incentive for undocumented immigrant kids to pursue higher education because the doors that a college degree would open are bolted shut by their illegal status.

This is a frustrating situation I saw repeatedly while teaching senior English in Southeast Houston. Some of my best students—straight-A kids who spoke perfect English and had been in US schools since pre-K—felt paralyzed by a secret: they didn't have papers. According to a recent College Board report, an estimated 65,000 undocumented students graduate from US high schools every year. In Texas and nine other states, these kids can attend college and even receive some financial aid, but that is where the opportunity ends.

The DREAM Act does not reward so-called lawbreakers; it relieves the consequences of an immigration system that's broken and protects the children who have been caught up in that system. 

Is it hopelessly optimistic to think that Obama's announcement and a story in Time might lead to the passage of the DREAM Act? Probably. But I've got my fingers crossed. And I know hundreds of young Americans who do, too.

Juneteenth: a reminder that change comes slowly

Tuesday, 19 June 2012 09:05
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Today is Juneteenth, the commemoration of the actual emancipation of slaves in Texas and other parts of the South on June 18 and 19 in 1865, which came considerably later than the official end to slavery (January 1, 1863). On June 18, Union General Gordon Granger and his troops came to Galveston, Texas, to enforce emancipation. According to legend, Granger stood on the balcony of one of Galveston's grand houses and read the following: 

"The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of personal rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and hired labor. The freedmen are advised to remain quietly at their present homes and work for wages. They are informed that they will not be allowed to collect at military posts and that they will not be supported in idleness either there or elsewhere."

Interesting choice of words. The emancipated slaves, however limited the real change in their lives, did not "remain quietly" at home but had some considerable celebrations. Their world didn't shift much as most remained de facto slaves. But there was the promise of something better, even if it would take another hundred years to come.

The naming of the celebration Juneteenth is a bit of linguistic playfulness combining June and nineteenth.

In Texas, school segregation came in shades

Thursday, 24 May 2012 10:05
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You know about the segregation of black school children in the Jim Crow era, but do you know how it affected the Mexican American community?

For my third novel, I have done a lot of research about the experiences of Mexican Americans in schools in the 1930s. In reading about the logistics of segregating Mexican-American students in Texas, what stunned me most was that most kids were essential forced out of school by sixth grade. Enormously overcrowded classrooms  in the "Mexican" schools made learning difficult, putting the students further behind their white peers with each year.

On top of that, the school districts in Texas often divided each elementary grade into two years (for example, "lower first," "upper first") in "Mexican" schools. The result was that--by middle school--Hispanic students were often told they were "too old" for the grade they should have been able to join in the (white) middle school.

In Houston in the 30s, only a handful of Mexican-Americans (usually lighter skinned) graduated from high school at all despite a significant Hispanic population in the area. They faced discrimination in white schools, and there was no "Mexican" public high school as an option.

I also discovered that, unlike African-Americans, whose teachers--also African-American--were usually committed to helping students use education to combat their circumstances, Mexican-American children were almost invariably taught by white teachers, some of whom found theirs an "undesirable" placement and were quick to underestimate the abilities of their students.

None of this is at the center of novel #3, but an unfavorable educational situation in San Antonio acts as one of the catalysts for a key relocation. Some of these details will, I hope, find their place in the plot, though. Because the three-fold school segregation in Texas--and its powerful, negative legacy for our communities--needs to be acknowledged.

Reading Pregnancy: A non-fiction friend for WHAT CAN'T WAIT

Thursday, 03 May 2012 10:06
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I don't teach high school anymore, but I can't break the habit of looking for companion texts for books (my own and other). A while back, this description of The Pregnancy Project came across my screen via the School Library Journal blog:

Rodriguez, now 18 and currently attending college, shares her experiences and insights in The Pregnancy Project (S&S, Jan. 2012; Gr 8 Up), a memoir written with Jenna Glatzer. Rodriguez begins by revealing to readers the more personal side of her experiment, candidly describing her mother's experiences (she had her first child at age 15) and struggle to raise a family as a single parent; her siblings' tendency to "repeat the cycle" and become teen parents themselves; and her own determination not to follow in their footsteps but to instead focus on her education and seek out a better life.

Teachers, The Pregnancy Project is just BEGGING to be used alongside What Can't Wait. Literature circles, anyone? If I were still in the classroom, I'd love to use this as a non-fiction accompaniment... I'd serve both books up with a side-dish of Ball Don't Lie by Matt de la Peña and Hanging onto Max, which give (respectively) a pregnancy scare and teen parenting from the dude's POV. And of course, another favorite is The First Part Last by Angela Johnson.

More about The Pregnancy Project here. Teachers, keep emailing me to let me know how you are using What Can't Wait and The Knife and the Butterfly in the classroom. I love hearing all about it! 

HAPPY FAMILIES is the antidote to the "I'm Christian unless..." disease

Monday, 16 April 2012 10:54
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The short version of my post today is this: anyone who has been moved, intrigued, or otherwise affected by the "I'm Christian Unless You're Gay" essay by Dan Pearce (aka Single Dad Laughing) NEEDS to read Tanita S. Davis's newest book, Happy Families.

The reason that the Single Dad Laughing piece is back on my mind is that Dan recently posted in "A Teen's Brave Response" about how the essay led to one teenager coming out to his family and community--and calling them to live their faith differently.

For those who haven't read the "I'm Christian Unless You're Gay" essay, let me summarize: Dan writes gently, humbly, but also compellingly about the tendency in lots of faith communities to reserve "full" love for a select few. Here's a bit that's relevant to what I'm going to say about Tanita's book:

“Oh, but you’re not gay? You’re clean, and well dressed, and you have a job? You look the way I think you should look? You act the way I think you should act? You believe the things I think you should believe? Then I’m definitely a Christian. To you, today, I’m a Christian. You’ve earned it.”

I bet you’ve heard that message coming from others. Maybe you’ve given that message to others.

Either way, I hope we all can agree that we mustn’t live that message. We just shouldn’t.

So now that you've got that (and really, you need to go read the whole essay), let me tell you what this has to do with award-winning YA author Tanita S. Davis's Happy Families. Here's the deal: her book is about two teens from a strong Christian family and their experiences coming to terms with the discovery that their dad is a transgender person.

You might think you know where this is going (shouting matches, disgust, excommunication), but you don't. What you actually see is a family figuring out new dimensions of what love and commitment mean. This is a book that can speak in powerful ways to believers and secular readers, a book that puts the reader in a "what if..." position and educates us without ever getting preachy.

Let's start with an important fact: Tanita sets things up in Happy Families in such a way that certain faith communities--very conservative ones--actually COULD process the choices made by the characters. (I rarely get to claim much "street-cred" but for once I get to! As someone who was raised inside a very conservative evangelical community, I am in a perfect position to see all the brilliant moves that Tanita makes.)

For one thing, Tanita separates transgender behavior from homosexuality and infidelity. In Happy Families, we see that the dad's decisions are about an expression of selfhood, not about sexual infidelity to his wife. The idea that a transgendered individual could still be faithful to marriage vows--and that his or her spouse should be as well--is extremely powerful and will give faith communities something to think about seriously in how they react to non-mainstream gender expression in their congregations.

Speaking of... Christianity in Happy Families rang totally true to me and reminded me of how Sara Zarr portrays Christianity in The Story of a Girl (there, it's the mystery behind a forgiving friend)Christianity offers one context for the story, not the message of the novel...which is how most "inspirational" fiction reads to me, and which is why it's so repetitive.

Far more powerful than the gospel message pasted into a novel is a fictional encounter with a family that makes a reader ask, what have they got that makes this kind of caring possible? That is what Happy Families accomplishes, and that is no small feat. (Let me make this personal: The reaction of the teen protags' mom is just... amazing. I aspire to have even a fraction of her faithfulness as a spouse. Other Christians who read this book should, too.)

Another really important aspect of this book--and one that brings an interesting angles for readers from all backgrounds--is that it shows that gender and sexuality aren't just something that teens experience ("who am I? who do I want to love? who do I want to be?) but are also things they have to come to terms with in others--sometimes even in their parents. That is, as far as I'm aware, an underrepresented perspective in YA. 

Finally: as you already know from my rant about glossaries, I am usually staunchly against the presence of reference material at the back of any sort of novel. But I think that in Happy Families the glossary of preferred terms and the resource list in the back serves as a subtle call to action. It's like it tells us, "how you speak is one thing you can change starting now to be more loving to families like this one in your community."

That is, I think, a message that Dan Pearce--and all of us who want to stomp out the "I'm Christian unless..." tendencies in ourselves--can get behind.

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